The OBJ collection is based on simple gestures applied to materials in their commercial format. Through manipulations such as cuts and folds, raw materials are transformed into objects. Without the use of references and preliminary research stages during the creative process, Manuel's approach to design is intuitive. He enjoys drawing simple lines and sketching ideas in multiple notebooks, and over time, some of these sketches are turned into physical objects. Despite the OBJ series seeking an ambitious aesthetic and prioritizing beauty over function, these objects ultimately find their place at home, aiming to fulfill a specific function.
Defined by concentric hammering of copper, the table forms a supporting surface that, when duplicated on its underside, becomes the base. The gap between the two sheets not only accommodates books but, as a deliberate gesture, presents both surfaces as independent, free-standing elements—identical in form.
Copper, tempered by fire, abandons its flat form to occupy three-dimensional space through human manipulation. In its finish, the marks of the material’s production process become part of the final piece.
OBJ-06 is produced from recycled copper in collaboration with master artisans in Santa Clara del Cobre, Michoacán. The material is heated in fire until it becomes malleable, then shaped through controlled, repetitive hammering. Rather than relying on industrial processes, form develops gradually through this manual work, allowing the material to be stretched, compressed, and stabilized by hand.
The piece retains the traces of this process—subtle variations, tonal shifts, and surface irregularities—that reflect both the intensity of the work and the nature of the material itself. Once the raw piece is formed, it is transported to Valle de Chalco, Estado de México, where final adjustments, assembly, and finishing are completed.